Dopethrone are a Canadian sludge metal band and this is their sixth album.
Following on from 2018’s Transcanadian Anger, Dopethrone have finally returned to crush everyone flat with their charismatic sludge metal brew. Broke Sabbath contains 39 minutes of filth and hatred, all thrown at the listener in typically heavy Dopethrone fashion. Ahh, it’s good to have this particular brand of sludge nastiness back in town. Continue reading “Dopethrone – Broke Sabbath (Review)”
This is the fifth album from Belgian black metallers Cult of Erinyes.
Since last catching up with Cult of Erinyes on 2016’s Transcendence and 2017’s Tiberivs, the band have changed vocalist, (now Déhà from Acathexis, C.O.A.G., Silver Knife, Slow, We All Die (Laughing), Merda Mundi, and countless others), and released another EP and album, both of which I unfortunately missed. Which brings us to the 44 minutes of material on Metempsychosis. Continue reading “Cult of Erinyes – Metempsychosis (Review)”
This is the fourth album from Norwegian black/death/thrash metal solo act Vredehammer.
It’s been a while since I’ve caught up with Vredehammer – 2016’s Violator in fact, a record which I enjoyed a great deal. God Slayer provides 39 minutes of satisfying extreme metal for the listener to enjoy. Now a solo act, (with the formidable ex-Dark Funeral/Nordjevel drummer as session musician), Vredehammer’s latest record hits the spot. Continue reading “Vredehammer – God Slayer (Review)”
This is a split between black metal bands Häxanu, from the US, and Greve, from Sweden.
Häxanu open up the split, with four tracks that last 20 minutes in total. I was a big fan of 2023’s Totenpass, which is why I knew I wanted to check out this split when it appeared on my radar. Continue reading “Häxanu/Greve – Naturmystik – Split (Review)”
This is the fifth album from US death metallers Cognitive.
I always enjoy a new slab of Cognitive, (check out 2016’s Deformity, 2018’s Matricide, and 2021’s Malevolent Thoughts of a Hastened Extinction), so Abhorrence is well-received. Across 36 minutes Cognitive deliver the goods. Continue reading “Cognitive – Abhorrence (Review)”
This is the third album from US death metallers Gatecreeper.
Gatecreeper are always a reliable source of crushing old-school death metal carnage. Both 2016’s Sonoran Depravation and 2019’s Deserted were solid slabs of heaviness, (I also really enjoyed their 2018 split with Iron Reagan), so checking out the 37-minute Dark Superstition was mandatory. Continue reading “Gatecreeper – Dark Superstition (Review)”
This is the debut album from UK sludge/post-metal band Urzah.
The Scorching Gaze contains 42 minutes of material delivered in a charismatic hybrid metallic style. Urzah combine elements of sludge, post-metal, progressive metal, doom, and hardcore/metalcore into an exemplar of heaviness that feels timeless. Continue reading “Urzah – The Scorching Gaze (Review)”
Ufomammut are an Italian doom band and this is their tenth album.
I always really enjoy catching up with Ufomammut. 2015’s Ectate, 2017’s 8, and 2022’s Fenice were all stonkingly good records, so expectations are high for the 45-minute Hidden. And, as I would have hoped, expectations have been satisfied. Continue reading “Ufomammut – Hidden (Review)”
This is the second album from US death/doom band Tzompantli.
2022’s Tlazcaltiliztli was a record that I got a lot of enjoyment out of, so it’s great to see the return of Tzompantli once more. Beating the Drums of Ancestral Force contains 42 minutes of new material, and finds the band taking giant leaps forward in more than one way. Continue reading “Tzompantli – Beating the Drums of Ancestral Force (Review)”
Pathology are a death metal band from the US and this is their twelfth album.
2017’s Pathology, 2019’s Reborn to Kill, and 2021’s The Everlasting Plague all hit like trucks, with Pathology displaying an easy mastery of brutal death metal each time they erupted from the shadows to strike. This made me excited to experience the punishment that Unholy Descent had to offer. Continue reading “Pathology – Unholy Descent (Review)”
Wonderbox Metal 